Choice ID Image Painting (From A to Z) Details
5348
Adoration of the Magi f
c. 1498
Oil on wood, 56,8 x 55 cm
National Gallery, London
63534
Crucifixion
1515 Oil on canvas, 372 x 270 cm Pinacoteca di Brera, Milan This painting may have come from the church of S. Maria di Brera. At one time it was probably an organ shutter. It was formerly attributed to Bramante. A late work, this painting reveals Bramantino's background. His roots were in the art of Ercole de' Roberti, the most energetically emotional fifteenth- century painter in northern Italy. It is from this source that Bramantino drew his highly dramatic style, which led him to freeze the tragedy of the Crucifixion within a framework of lucid abstraction. At the same time he seized the opportunity to seek out new means of formal expression. The crosses of the two thieves are arranged in terms of a centralized perspective, creating a space almost like an interior, and leading directly to the background where typical Bramantino buildings are silhouetted against an evening sky. (One of the buildings resembles the Trivulzio mausoleum, which was designed by the artist.) The marked bisymmetry of the painting, with angel and demon, sun and moon, is less structured in the choral rhythm of the foreground. The Madonna's grief is represented within the circle described by the hands of the saints, while the Magdalene lifts her arms toward the cross as if to raise it up to heaven. A strict intellectual approach dominates the colour scheme, in which subdued olive greens, golden grays and browns predominate.Artist:BRAMANTINO Title: Crucifixion Painted in 1451-1500 , Italian - - painting : religious
5349
Crucifixion 210
c. 1515
Oil on canvas, 372 x 270 cm
Pinacoteca di Brera, Milan
63536
Holy Family
1520 Poplar panel, 61 x 47 cm Pinacoteca di Brera, Milan Constructed on a series of triangular rhythms heightened by the violent tension of the drapery, which seems to absorb the figures, the composition has a rarefied atmosphere. Every gesture assumes an almost hieratic dignity, and every figure tends to take on an architectonic fixity. The figure of the Christ Child violently escapes from this formal severity. The audacious, almost explosive gesture of his arms seems to introduce the more serene and contemplative effect of the background, in which unreal, almost stage-set buildings stand out against the luminous sky. The buildings recall Bramantino's work as an architect and architectural theoretician. Of his work in this field, only the mausoleum for the Trivulzio family in Milan has survived.Artist:BRAMANTINO Title: Holy Family Painted in 1451-1500 , Italian - - painting : religious
5351
Holy Family inwp
c. 1520
Poplar panel, 61 x 47 cm
Pinacoteca di Brera, Milan
29903
Madonna and Child with Eight Saints
mk67
Oil on panel
79 15/16x65 3/4in
Pitti,Meridiana
5350
Madonna and Child with Two Angels fg
c. 1508
Detached fresco, 241 x 135 cm
Pinacoteca di Brera, Milan
83561
Madonna del Latte
Date ca. 1490(1490)
Medium Oil and tempera on wood
Dimensions Height: 46 cm (18.1 in). Width: 35 cm (13.8 in).
cjr
87401
Madonna del Latte
. 1490(1490)
Medium Oil and tempera on wood
cyf
5353
Madonna del Latte fgdf
c. 1490
Oil and tempera on wood, 45,9 x 35,2 cm
Museum of Fine Arts, Boston
5352
Noli me Tangere fd
Fresco
Civico Museo d'Arte Antica, Castello Sforzesco, Milan
45531
Philemon and building c sharp
mk186
1490 Koln, Wallraf-Richartz-musuem
42984
The Adoration of the Kings
mk170
circa 1500
oil on poplar
56.8x55cm
84579
The Adoration of the Magi
Date ca. 1498(1498)
Medium Oil on wood
Dimensions Height: 56.8 cm (22.4 in). Width: 55 cm (21.7 in).
cjr
88442
The Adoration of the Magi
1498(1498)
Medium Oil on wood
cyf
9806
Virgin and Child
oil and tempera on panel, Museum of Fine Arts, Boston
